Introducing illustrator Muza Ulasowski

  • Published on July 21, 2017

Muza - top of post

This month I am delighted to introduce you to the very talented illustrator Muza Ulasowski. Although Muza has illustrated many books, I first came across her work in the beautiful picture book Forest Wonder, written by Caroline Tuohey. It is Forest Wonder that Muza and I are discussing today. Before we get started on the interview, first let me tell you a little about Muza.

Muza Ulasowski is a graphic designer and children’s book illustrator based in the leafy western suburb of Brookfield in Brisbane, Queensland. Australia. She is inspired and surrounded by a vast array of local birds and animals who tend to make their appearances in her book illustrations. She shares her life with her wonderfully patient husband, their charismatic bulldog called Charlie and a black magic cat named Basil.

In 2010, she was invited to illustrate her first children’s picture book and enjoyed it so much, that she has been collaborating ever since with Australian and international authors. To date she has illustrated 11 children’s picture books and is currently illustrating several more which will be published in 2017/18. Whilst primarily concentrating on creating digital images for children’s picture books, Muza also specializes in graphic design, designing book covers and book layouts to print ready stage.

In her spare time she enjoys illustrating in pencil and charcoal, acrylic painting, wildlife photography, sewing, and creating artworks for her colourful and crafty ETSY store.

Qualifications:

  • Diploma of Arts – Visual Communication – 1979
  • Certificate IV in Graphic Design – 2008
  • Diploma of Graphic Design – 2008

Welcome to readilearn, Muza. We are looking forward to getting to know you a little better.

Thanks for inviting me.

Muza, when did you know you wanted to be an illustrator?

I have always been ‘arty’ with it being my favourite subject in high school.  Even a child, I remember telling everyone that I was going to illustrate children’s books!!  However, life happened to get in the way – I ended up working as a legal secretary and various other professions instead – eventually, forgetting my dream.  After my children graduated from high school though, I went back to college and graduated in 2007 with a Diploma in Graphic Design.   It was only in 2011 when I received my first publishing contract to illustrate the book, ‘Where’s Michael?’ by Xavier Waterkeyn, that I actually remembered it had always been my ambition.  So now, I am very happily living my childhood dream.

 Do you have a special place for working on your illustrations?

I do indeed – it’s called my dungeon!!  LOL.  It’s a room that was originally created to be used as my darkroom before digital photography was invented.  I used to be quite photography-mad and would spend hours developing black and white photographs I’d taken.  Then, when digital photography came into vogue, the darkroom became our “junkroom” until I cleared it out in 2011 – converting it into my “studio”.  I like the fact that there are no windows – means there’s no glare on the computer screen – and it is downstairs away from all the action and noise upstairs. In my dungeon, I have all my computers, printers, books & papers surrounding me …plus with no distractions, I can work till all hours of the night!!

Muza in her dungeon

What time of day do you most enjoy illustrating?

I am most definitely a night owl because most of my inspirations come late at night – it’s not unusual for me to be working on my computer till 2 or 3 am.

 What things do you most like to draw?

I love drawing birds and animals and portraying the tiniest of details.  I find it fascinating to try to convey expressions on their faces and though quite challenging, it’s extremely rewarding when I “nail it”.

Where do you get your ideas?

Usually, when I read a manuscript sent to me, I am able to visualise the words as pictures.  I also tend to observe people and animals around me and have been known to become totally absorbed in observing how shadows form on a person’s face whilst they are talking to me… sometimes becoming rather oblivious as to what they are actually saying!  I call these my senior moments!!

Do you know what you will draw before you start, or does the picture evolve as you go?

I usually know what I want to draw before I start, but the pictures tend to change and evolve as I go.  Sometimes it feels as though the animal characters totally take over – dictating to me what should happen on the page.  Usually this happens once I am halfway through a book, and then I have to go back and amend or add to what I’ve previously drawn.  With Forest Wonder however, the animals took over immediately – sometimes I had no idea what they were going to tell me to illustrate until virtual pen went to paper!

What media medium do you mainly use for illustrating?

I use digital illustrating for books, and I work in layers.  The reason for this is so that I can move the characters and background around to fit the text in comfortably – without having to redraw the whole illustration. For fun, I like dabbling in acrylic painting.

What media did you use for Forest Wonder? Why?

I used a combination of Artrage and Photoshop digital programmes to illustrate Forest Wonder.  I used Artrage because the program is very straightforward and has no “bells and whistles”.  It is very similar in technique to using acrylic paints in that once you choose your brush, intensity, medium, colour and transparency – away you go.  Each brush stroke is applied individually – just like using acrylic paints – except there’s virtual “water”, no paint spillage and, you never run out of paint.  Also, there’s a magical button I like to use a lot – called “delete”!!

Each character is created as a separate illustration, much larger in size than needed so that I can put a lot of detail in each illustration.  All the created characters and the background are then combined in a Photoshop file and any touch-ups to colour and shadows are then finalised.

Why did you decide to illustrate Forest Wonder?

As soon as I read Caroline’s manuscript, I just knew I had to illustrate it!  She has such a way with words – such a talented poet!!  The characters were literally jumping out at me as I read the text.  Also, at that point in time, I had just finished another book and was looking forward to creating something with Australian animals – so when Caroline’s manuscript arrived in my inbox, the rest, as they say, is history.

Do you have a favourite illustration?

I have found that everyone has different “favourite” illustrations in that book – the possum page is a particular favourite – which was actually the first illustration I created for this book.

possum picture

My personal favourites are probably the 2 double-page spreads; with the cockatoos and galah plucking a feather from the emu’s tail

Muza's fav

which then continues over to the next spread with more cockatoos, an echidna, a wombat playing drums and all the animals having a party.

Muza's fav 2

I spent a lot of time at Lone Pine Sanctuary – photographing the wild life and observing the animals’ movements and personas.  I wanted to express the cheekiness and noisiness of the cockatoos and galahs, but still keeping the illustration realistic without reverting to caricatures…  I think I succeeded.

Which illustration was the most difficult?

The aforementioned spreads were probably the most difficult…

 How did your feel when you illustrated this story?

Joyful!!  I had so much fun illustrating this book.

How do you hope readers will feel?

Joyful!!  I hope the readers feel my delight for the wonderful world of nature.

How would you like teachers to present Forest Wonder to children?

Forest Wonder is a rhyming picture book set in the Australian bush and tells the tale of creatures who enjoy a forest party on a moon-lit night. It celebrates the wonders to be found in nature but also encourages children to use their imagination and relish in a little bit of magic.

Are there any messages you would like them to discuss?

I asked Caroline how she would like to answer this question, to this being her reply;

“It would be great to have a discussion with children about dangerous creatures such as snakes and red back spiders, and to realize that although they are dangerous – they are creatures. It’s important that we, as humans, respect & take care around them without blaming them for the possible injuries they could cause us. Creatures are creatures – to defend themselves is a natural reaction.”

Do you have any advice for teachers when responding to children’s art work?

Find the positives to be found in each illustration – whether it be colour, vibrant characters or the composition, and help them improve on that.  Each child sees the world differently, so what may appear strange in an illustration to one child, may make perfect sense to another.

practise practise practise

Do you have any advice for children when creating art works?

Practise, practise, practise – and believe!! The more you paint, the better you become.

What is your favourite picture book?

Oh, definitely Mem Fox’s Possum Magic.  I just loved Mem’s poetry and the illustrations created by Julie Vivas – what an amazing collaboration.  I adore how exquisitely Julie Vivas captured the expressions on each character’s face.  This book was first published over 30 years ago and it is still just as popular now as it was then. My aim has always been to capture the animal’s essence as well as Julie does… Maybe with time I will succeed.

Who is your favourite illustrator? What do you like about his or her work?

Oh my!!! That’s a hard one!!  I have so many favourite illustrators that I cannot possibly pick just one! …I am so overawed and impressed by the sheer number of talented Australian artists.  I am always fascinated by the artistry of the latest children’s book I’ve purchased, so that particular artist becomes my favourite – until I purchase the next!

Thank you, Muza Ulasowski, for sharing these insights about your process of illustrating picture books, especially for Forest Wonder. We congratulate you on your achievements and wish you continuing success with your beautiful picture books.

Thank you, and thanks for having me!

To find out more about Muza visit her website: Muza Designs

Or connect with her on social media:

muzadesigns@bigpond.com

Muza Designs on Facebook

Muza Designs on Etsy

Muza Designs on Instagram

Illustrators Australia

Check out these other books Illustrated by Muza:

Magical Minnie

Ruby the Foster Dog

Forest Wonder

Getting Home

Elle & Buddy

The Sea Cat Dreams

Suvi and the Sky Folk

I Can’t Hear You! I Can’t See You!

Elliot Finds a Home

Life Cycles of Marine Animals – Emperor Penguins

Life Cycles of Marine Animals – Laysan Albatross

Where’s Michael?

Muza Ulasowski

A shortened version of this interview is available as a free printable PDF in Illustrator Spotlight Literacy Resources Illustrator Spotlight: Muza Ulasowski. The information may be displayed in your classroom or included in a class book about authors and illustrators.

Remember to

Register now to begin using free resources, or Subscribe for access to all resources.

I appreciate your feedback and comments. Please share your thoughts in the “Leave a reply” box below.

If you enjoyed this post, follow by email to make sure you don’t miss another.

Follow Blog By Email

Enter your email address to receive notifications of new readilearn posts by email.


Comments

    I’m so pleased you enjoyed meeting Muza and finding out about her lovely illustrations, Christy. They are a delight!

    I’m pleased you enjoyed getting to know Muza, Robbie. It is nice to know that dreams can come true, even if it takes a while, isn’t it?

    Thanks, Michelle. I’m pleased you enjoyed meeting Muza and finding out about her wonderful illustrations. She is very talented with an eye for detail.

    Thank you for introducing us to Muza and her extraordinary illustrations. It’s interesting to get an artist’s perspective on their work and process.

    Thank you, Charli. I’m pleased you enjoyed reading about Muza and her creative process.

    I really enjoyed your wonderful interview with Muza. She really is a talented illustrator. I’d hang her artwork on my walls. Her animal illustrations look so real — like I’m really seeing them in their natural setting. I also found it interesting that she creates each character as a separate illustration and then photo shops everything together. Her work shows that she is a keen observer. Thanks for sharing Muza’s work with us.

    Thank you, Patricia. I’m pleased you enjoyed the interview with Muza and are just as captivated by her illustrations as I am. I find Muza’s creative process fascinating too. I wouldn’t have thought of doing all the elements separately and then putting them together. I guess that’s one of the reasons she’s an artist and I’m not!

    Excellent interview. Ohhhhhhh, the illustrations are scrumptious. I’m passing this post along to the illustrator of my children’s book, who also spends hours every day creating her art work. Artists like these (like Muza and Shelley) are special souls who see nature and animals as the magnificent creatures they are. Their work brings life and vibrancy to the author’s words. Thank you, Norah, for bringing Muza to us here. xo

    Thanks Pam. I’m pleased you enjoyed meeting Muza and her lovely illustrations. I’m sure your illustrator will enjoy meeting her too.

    Hi Pam, I was having difficulty with the internet and only half-responded to your comment. You are right about the way Muza and Shelley see the world. They help us to see with greater clarity too. I think that is a great thing about talented artists, be they visual artists or creative with words, the new ways in which they help us see the world, expand our horizons.

    EXACTLY! I think that’s why I love being around artists (musicians, painters, writers). They help me spread my own wings in the universe (figuratively).

    Yes, that’s very true, Pam. I’d love to fly, literally as well as figuratively. 🙂

    Congrats Muza! Love your work. Thanks Norah for featuring Muza’s brilliance this week … Cheers, Karen Tyrrell author x

    Thanks Karen. Muza’s illustrations are wonderful, aren’t they? I was so happy she agreed to the interview. I met her at your masterclass you know! 🙂

    Thanks Vanessa. I’m sure you’ll agree that Muza’s illustrations are amazingly realistic and intricately detailed.

    Fantastic interview. It was nice getting to know about Muza and her illustrations. I had to LOL along with her at her name for the place she creates – the dungeon. Such an oxymoron for a place to create illustrations for children’s books. LOL 🙂

    Thanks for reading and commenting, Debby. I’m pleased you enjoyed getting to know Muza. I really admire her illustrations. The dungeon! Yes, what a great name. We wouldn’t want to toss the children in though!

Please share your thoughts. I love it when you do.

This site uses Akismet to reduce spam. Learn how your comment data is processed.

%d bloggers like this: